Lacan extrapolated that the gaze and the effects of the gaze might be produced by an inanimate object, and thus a person's awareness of any object can induce the self-awareness of also being an object in the material world of reality. The psychological effect upon the person subjected to the gaze is a loss of autonomy upon becoming aware that they are a visible object. More specifically, it is when the object that one is viewing is somehow looking back at the subject on its own terms. In his later essays however, Lacan refers to the gaze as the anxious feeling that one is being watched. The role of the ideal ego or self can also be filled by other people in their lives such as parents, siblings, teachers etc. This image is someone the child can aspire to be like and work towards. The child enters language and culture through establishing an ideal image of themselves in the mirror. Theoretically, this is where the child begins their entrance into culture and the world. The mirror stage occurs when a child encountering a mirror learns that they have an external appearance. Initially, the concept of the gaze was used by Lacan through his psychoanalytic work on the mirror stage. In Lacanian psychoanalytic theory, Lacan's view on the gaze changes throughout the course of his work. Jacques Derrida, in The Animal that Therefore I Am (More to Come) (1997), elaborated upon the inter-species relations that exist among human beings and other animals, which are established by way of the gaze. Michel Foucault, in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline. Jean-Paul Sartre described the gaze (or "the look") in Being and Nothingness (1943). The concept and the social applications of the gaze have been defined and explained by existentialist and phenomenologist philosophers. In critical theory, sociology, and psychoanalysis, the gaze (French le regard), in the philosophical and figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. The Conjurer, by Hieronymus Bosch, shows the bending figure looking forward, steadily, intently, and with fixed attention, while the other figures in the painting look in various directions, some outside the painting.
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